Contemporary art by Kamilah Gill. I'm based in Indianapolis, Indiana, US. Sketches, finished artwork and occasional observations.
Thursday, February 28, 2013
Wednesday, February 27, 2013
Tuesday, February 26, 2013
Monday, February 25, 2013
Sunday, February 24, 2013
Saturday, February 23, 2013
Friday, February 22, 2013
Thursday, February 21, 2013
Wednesday, February 20, 2013
Toro de Osborne (40)
"Toro de Osborne (40)", oil on canvas, 24x24". For sale on Etsy. |
I have never been to Spain, so I haven't seen any of these signs in person. I have known for a while that the signs were there, but I had no idea about their backstory until I looked it up for this painting. The source for this painting was a photo that I found on Flickr. I cropped it and changed the colors in my painting. I wanted an image that was not postcard-perfect, but more of a quick glimpse as seen from a speeding car, something more like what I would see if I went there myself. Through the process of painting, I feel like I have experienced the space in a way, and now there is a record of that fleeting snapshot moment.
Whenever possible, I like to do things in real life to go along with my paintings. In this case, I would have liked to try Osborne sherry or another sherry for the first time, but none was readily available. So instead, I purchased some Spanish wine and tapas de queso (a fancy phrase for "cheese wedges") at my trusty local Trader Joe's.
The wine was a 2011 La Granja 360 Garnacha Syrah. The cheeses were Iberico, Cabra al Vino, and Manchego. It was a tasty way to deepen my "armchair" long-distance Spain experience.
Tuesday, February 19, 2013
Monday, February 18, 2013
Sunday, February 17, 2013
Saturday, February 16, 2013
Thursday, February 14, 2013
Wednesday, February 13, 2013
Tuesday, February 12, 2013
Fuchsia by the Sunny Sea (640)
Fuchsia by the Sunny Sea (640), oil on canvas, 24x24 in. (61x61 cm), for sale on Etsy. |
While I was working on this painting, I browsed through images and descriptions about the south of France, especially the Côte d'Azur. I have visited Paris and I spent a month working on art in Brittany ten years ago, but I haven't made it to Côte d'Azur and Provence yet. I would really like to go eventually. The painting stems from that desire. The flat, bright blue of the background is a reference to the Mediterranean Sea. (More specifically, it is Sunny Sea Blue, color #640 in Naomi Kuno's Colorscape book. This is part of my larger goal of eventually doing something with all 658 colors in the book.)
I searched online for, but couldn't find, an image of fuchsia flowers growing somewhere in the Côte d'Azur. I learned that there was a craze for growing fuchsia in France during the Victorian era, but I couldn't find direct images to use for sources. I pieced things together from some more generic images of fuchsia flowers and my imagination. As I went along, the piece became increasingly abstract. A cluster of pink flowering trees bloomed along the peaceful seashore. In the end, I hoped to have an image that suggested flowers without being overly specific, just something peaceful and colorful.
Monday, February 11, 2013
Sunday, February 10, 2013
Saturday, February 9, 2013
Friday, February 8, 2013
Wednesday, February 6, 2013
Tuesday, February 5, 2013
Monday, February 4, 2013
Sunday, February 3, 2013
Saturday, February 2, 2013
Friday, February 1, 2013
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